Autumn In My Heart Korean

Week of Method of London For the Fall/Winter 2010

poorly done up to connected London based the Personal Hairdresser, Karen Grace, the commentaries on little of the link spectacles to the Fall/Winter of Week of Method of London 2010

PROPHETIK "the Shores of the south" JEFF of spectacle.dessinateur of link PUTS IN ATTIC

The demonstration to 19Feb10 of Scout of Method of Vauxhall

Tennessee based Prophetik kicked spectacles of link of LFW to the Scout of Method of Vauxhall, Lobby of the Freemason, the Garden of Covent. And which a kick of! ! !

To the beginning that we put to sleep in to think about a theme of country of the carefree south when the violiniste Anna Cwad begins the orteil to play types the music, with the former paramore Jason Bynum to join she on the guitar. Then the Man of band Shaves breaks this illusion with their merger of punk one and jumps the boulder. Not to astonish as their drummer is the Cook of Paul of Guns of former sex and their vocal/first guitar is the former def Leppard Phil Collen. And do not leave forget us their low guitarist Simon Laffy of British Girl of band of act of elegant boulder.

With the Man Shaves student the tempo, the spectacle began for Jeff of ethical designer Puts in attic A/W10 entitled collection "the Shores of the south". His inspiration came from the War of Secession and sees the hope and the romance next to the conflict and the uncertainty.

The principal palette of color in the true Civil colors of War was blues, gray with a key of red one.

The ready one-to-to carry for men see disposed put to bed some and look at serious ¾ the length coats, the vests, the top of the line buttons, taking boots and the ties of silk of peace.

For the women, the conceptions spread jodhpurs, the torn thighboots, the jackets and the military capes to full on the Small House on the dresses of style of Prairie. Intermediary was mini-robes and flowing long dresses associated the two with flat heeled takes boots.

At the end of the spectacle, the music ripened as Jeff Puts in apparent attic looking at the party of the messieur of the south that takes a walk with his beauty of the south in his strike the dress of bustier of long red velvet.

Put in attic the collection is the proof that no method look must be harmed in the process of being done ethical clothing.

Prophetik is the of a men viables and usage of label of womenswear ecological friendly equipment as organic cottons, the hemp, the linen, Greenspun (recycled bottles) and the organic dyes of pigment. One of their signature gets dressed "it She" is done silk and organic cotton that the elephants painted in the collaboration with the AEACP (the Project of Conservation of Art of Asian Eledphant), that helps student of the funds for an elephant sanctuary in Thailand".

The presentation of KIELY OF ORLA -THE FALL/WINTER ON TUESDAYS CHILD 2010

present to the Pieces of Portique, the House of Somerset 19Feb10

The step for the presentation of Kiely of Orla was 2 pieces of change of impressive brand decorated in the style of 60' s with the chestnut and the wallpaper of Kiely of beige conceived Orla in the parlor and obscurity &the amplifier; clear blue in the bedroom. The furnishings were the top of the line of 60' s and a looking at TV, nostalgic style and modern showed the collection on the screen. The models sat or held in above the dresses of knee and above the skirts associated with the shoes and the socks of navy of mi-veau.

The models for the wallpaper and the dresses were inspired by Ivon Hutchins the art abstracts and the photograph of Erwin Olaf, and captured the gasoline of leaves of fall in decrease.

The principal palette of color was autumnal ae" the creams instead of the white, the various shadows of chestnuts, orange dark and the navy. The obligatory gray one and black could be seen on some pieces.

Used fabrics were crepe in mohair and of silk associated with the wool and the traditional verified wool Jacquard,

The models carried their hair in a bun and the serious make-up were kept simple, furnishing a good constraste to the darling collars and updated it funny of the style of 60' s nostalgic style.

The spectacle of link of "Emotions" of LAKOBUKIA

The demonstration to Fashions Nonconformist, the 20Feb10 of Hotel of Palace of Wisp

With his A/W10 collection entitled of the "Emotions" Lako Bukia wanted to show bad positive emotions and dark by the fabric to the type, the form and the color.

The principal palette of color is black for the side and the white darker ones for the lighter side of emotions. The pieces of some cream appear to show that all is not black and the white one.

Used fabrics are soft light flows chiffon, a silk of stiffer cotton and the wool.

The geometric forms are seen on the collars, and while going through the closings to diagonal glissia�re. The closings to glissia�re also are used as a bridge to unite the stiffer fabrics with more soft fabrics. Some pieces are evident with the constraste between hard and fabrics soft. On of others the constraste only can be seen once the closing to glissia�re was undone and only revealing then the fabric of soft silk hidden in under. The closings to glissia�re on the shoulders and the sides allow the flexibility to the person that the door to change his outline ae" when the mood takes it.

The shoes of Lako look at to hit in the black one or white soft leather with the triangular heels. She explains the triangle is a more gothic form and gives an emotional constraste harder to the softness of leather.

Not thing astonishing his favorite piece is the chiffon flowing it long wrinkled dress in the white one that is associated with the silk of a little splitting cotton cape upside down. The cape has a high collar with the long geometric backs that represent the bad emotion. Once the cape is removed, the dress is free restrictions and can float on just the good emotions.

Lako Bukia, beginning the modedliste, had been born October 4, 1987 in the city of Tbilisi, the capital of Georgia. After having measuring of the School No. 58 in Tbilisi, she all was offered continuation the Academy of the state of Art to a place to the A. Kutateladze Tbilisi, where she did his university diploma in the Conception of Method and the Textiles.

SADO "the Geometric Eclat" the link spectacle.dessinateur CARLOTTA GHERZI

The demonstration to the Scout of Method of Vauxhall February 20 10

The young designer for the label of Sado is Carlotta Gherzi born Russian (of Italian parents) that brings a modern elegant edge to the label.

The last collection had big styles that could be carried by the true women and not just the models of link. The principal palette of color was black with the can of blue and red pillar.

Silks dominated the summits, the dresses and the same thighboots that put emphasis on the neatness of the blue one and red.

"The geometric brightness" is the title of this fall/winter 2010 collections ae" this was showed in the silk thighboots, the summits and the dresses that all were wrinkled in the horizontal rows that give the texture and the depth.

The black one knits the dazzling wear with the woven scintillement in to produce of the the horizontal bands, edtincellees and wide

Money and the red brocade appeared for the dresses in the evening. To magnet notably the money without straps aligns the dress max.

The signature of SADO is elegant and classical - this collection of the season did not disappoint.

DOII PARIS "Walks in the Forest" the link spectacle

The demonstration to 21Feb10 of Scout of Method of Vauxhall

This was Korean designer Doii The first spectacle of link to London and it did not lower it.

The collection entitled "the Walk in the Forest" was inspired by his story of Russian fairies preferred "Hippie Yaga" In this fairy story that a mean mother-in-law sends his beautiful girl of step to the forest to visit his aunt, Hippie Yaga, the witch.

In the walk of Doii in the forest history, she goes through one to intoxicate the increased labyrinth. The copper model to the hair carried willing dresses of chiffon in put to bed and sparkle the dresses of sequined - all the exclusive illustrated characters of big red roses rosactres of in the designer. The high red patents shoes of heeled with modeled fabric secured around the ankles in the big arches equalled the neatness of the conceptions. The false white fur cuts of the and the surfaces added the softness to certain of the fabrics of STIFFER sequined. The first equipment on the link took right away our attention ae" the dress in chiffon, upright and long with an ourlet of flare of kick, draped with a long leading shawl cover in the sequined is increased the model and clothed with the false white fur.

"A dove directs it alongside the just way" ae" the numerical characters were now to fly the white doves on the light chiffon orange/Al or heavily fish the fabric of sequined. The belted runs the double coat of breasted cover in spangle them on the big bold doves appeared spectacular with its contrasted characters of blues and of creams on the backs. The dove characters on the long and short dresses chiffon were more broken down below because of their to small ladder.

"A garden a lot of glorious sunny memories" the palette of Principal color was the cream with a key of blue, green and pink one. The plant characters in jar were brumeux as if pala�s by the sun. Here we saw an adequate detached sequined the coat in egg form with a kick sexy to the bottom and the wrist. The contrasted characters on the collar of points of polka added to the brightness.

The history and the walk become darker, she is in the agitation ae"the chestnuts mi, gray or rich are added to the mixture. The characters are more occupied and again lively. The patent shoes color changes of red carefree one to the black serious one, but always with modeled fabric secured around the ankle. Here we saw a plain a double mi coat of wool of short gray breasted that contrast perfectly with its backs with modeled brightnesses, his belt of attach, the bands of wrist and the buttons.

"His heart flowed" - the black and gray one dominates and the characters of the designer are lace and of net. The black lace presents on the sequined the dresses in the evening, darken fur on the coats. Another magnificent coat (can see you a being born model here ae" I like the coats)! this time in the black one with a key of white and gray one. In egg form, darken collar of fur and that the kick sexy to the bottom and the wrist. The black one of Slouchy and warmers of leg of gray closed fur on the black shoes of patent did a luxurious key. The characters of gray lace in money associated with to inflate the sleeves of bishop of black laces did a mini-robe in form of simple egg a blow an out dress of cocktail. And the lace of black one of length of elbow blew sleeves and the lace in tiers hitches high and the ourlet of another mini-robe of gray characters in money gave a look of era of the era of Edouard VII.

"But she knew that she was one the one protected" ae" the colors here pale and gold black. Here we saw a gold of sequined and black modeled the impervious one with the backs, the belt of attach and the gray simple light pockets. A gold runs sequined and black modeled the dress was given the look of 20' era s with a size of decrease and a wide band of lace in now scalloped around the ourlet.

"My skeleton friend always is with me" ae" again black and gray dominated for the new impressions of the skulls of lace. Here we saw a luxurious fur of knee length packs the coat with the gray fur in money packs and a key of characters of skull of sequined; and a plain mi gray mini packs coat of adorned wool with the characters of skull of sequined on the pockets, the wrists, the belt and the in front of partial with the collar of no contrasted polka and the edge.

"Then the queen of goat of the forest is on his side" ae" the honey model blond took out to carry the characters of the queen of goat in the creams, the white, the soft chestnuts with a key of clear blue one. A coat in form of padded egg, a plain but for the characters and associated with warmers of leg of gray fur in money. The other equipments clothed or cut with the false white fur gave an appearance Cossack.

"To presage roses bloom alongside the dark way of the forest" - Proving does not import what can appear dazzling, a coat of style of molleton was given the luxury brand on with a characters of sequined of roses alongside the way of the green forest, clothing and cuts false light gray fur and with the LONGER ourlet to the back.

The dresses in chiffon were long and short, someone with little of spangle them signature, some decorated one with the small hearts of hanging down below the back and someone with their LONGER ourlets to the back. All were colored and modeled.

The dresses in heavier fabrics were completely embellished in spangle them that do the conceptions of characters of more dazzling Doii even.

My favorite ones were the coats: all the pieces of declaration you that do not prove must await to leave your coat before doing an entry.

Doii declares that the lady that carries Doii Paris becomes diva. The last model took out in a coat of black sequined and the big hat with fringe them so a long time they attained its shoulders. Do not represent the end of the history but in the true style of diva, this piece wanted to take the principal place.

The presentation CLEMENTE of RIBEIRO

The FALL/WINTER of Bohemian of HIGH 2010

Present to the Piece of Portique, the House of Somerset 21Feb10

The style can be bohedme for the husband and the woman conceives duet (Lenient Suzanne &the amplifier; Inacio Ribeiro) the last collection, but this is bohedme with the decadent brightness. They chose to look at behind to the 70' s around the time when Laurent of Saint of Yves created his Russian collection

The shoes were to die for ae" all embellished one with the models of spangles. My favorite ones were the long boots in soft leather lightly slouchy and mustered on the top.

Spangle them adorned also dresses, the pants and the cardigans with the crystals.

The collection was divided in to the defined sections:

An adapted section more masculine ae" the coal of palette of principal color gray, black and dark plum.

Too big knit was embellished but in a tone monochrome to create the classical minimized brightness.

The feminine section showed dresses to silk, the skirts and the summits in the motive cashmere and the characters of whirlwind of effect of marble.

A dress and a pants in the Jacquard and the cardigans gilded pale embellished with the models of spangles or adorned motives of jewels. The colors were did more deafen in the green shadows, in now, the mustard, the chestnuts and light moles.

The wealthier section showed the heavier brocade for the jackets, the skirts and the coats cut with spangle them. The principal palette of color was black and navy blue. The pleasant key with the leather gloves cut with spangle them.

This collection shows the luxury to wealthy does not have just to be limited to eveningwear.

The FUTURE presentations of CLASSICAL LETTERS. The designer JULIE WILKINS

CUT &the amplifier; the FALL/WINTER OF PATE 2010

Present to the Piece of Portique, the House of Somerset 21Feb10

Although does the advertising for as a presentation, a presentation of Wilkins of Julie of designer Of The Future classical Letters of its labels A/W 10 collections was more as a mini-passerelle spectacle. The benches were exposed if the models could walk down below in the middle them ae" if everyone had a view of front row!

The inspiration for this collection was: "The cut and the dough; the word and written renaissances do (wo)manship."

The principal palette of color was neuter and black (which of other for the classical letters) with a plouf of rose and orange to clarify the collection.

A lot of knits a long time with the hoods of draped, the pants and the thighboots. To magnet especially the thighboots of characters of John. The simpler thighboots in the black one or gray was given a more interesting look with a row of sewn buttons down below the in front of.

The fur covered just the sleeves and the hats that give a more mischievous look.

The silky gloves of fingerless, black and long that attain above the elbow appeared big with the LBDs in willing chiffon in put to bed.

This collection is for the woman that likes to adapt and the soft sweaters but wants a small torsion of conception to his classical look.

For the assistance on the personal races to London and office counsel of picture visits poorly done up to http://www.frumpytofunky.com of connected website or to e-mail Karen on contact@frumpytofunky.com